Audio Source Information SBD (shnid=5552) Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa’s nak dragon for playback > panasonic sv3800 dat > HHb800> CDR Thanks to Tommy Banjo & MerryPranksterTree seeded to etree by StoneBear 9/27/2001 StoneBear 9/27/2001 AUD1 (shnid=79732) Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans – todd@bluedakota.com DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 – 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE shnflac@gmail.com October 2006 Notes- * mid way through Fire until the first verse of Uncle John’s Band patched with sbd source, shnid5552 A **GEMS Production** www.shnflac.net AUD2 (shnid=29086) Source: Set 1- A(FOB):Schoeps CMC5 MK4’s>DAT(48kHz) Set 2- A: AKG 460 B’s w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided from Tom through Roger Transfer by Chris Larson (VegasBobby@gmail.com) AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest ——————————————————— Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. – Mixed by kevtobin@yahoo.com – FLAC conversion 26-OCT-2007 ——————————————————— Multitrack Mixdown Settings SET ONE Stereo Matrix SBD .5 AUD -1.5 SET TWO Stereo Matrix SBD .5 AUD -1.5 ——————————————————— Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. Brokedown House Production

Set 1: d1t01 – Touch of Grey d1t02 – Walkin Blues d1t03 – Loser d1t04 – Queen Jane Approximately d1t05 – So Many Roads d1t06 – Music Never Stopped (end set) Set 2 d2t01 – Scarlet Begonias> d2t02 – Fire on the Mountain d2t03 – Long Way to go Home d2t04 – Corinna> d2t05 – Uncle John’s Band> d2t06 – PITB reprise> d2t07 – Drums> d3t01 – Space> d3t02 – The Last Time> d3t03 – Here Comes Sunshine> d3t04 – Throwing Stones> d3t05 – Not Fade Away Encore: d3t06 – Baba O’Reilly> d3t07 – Tomorrow Never Knows

See info file

Kevin Tobin