Dead of the Day: 12-17-1986

Oakland Coliseum Arena

Oakland, California

Musically, the shows on this date back in ’70 and ’78 might be a bit better, but our Dead of the Day is about far more than just the playing. Back in July of ‘86, Jerry had slipped into a diabetic coma. Five days later, he awoke, but had lost many basic functions, making it unclear whether he would ever be able to play the guitar again. Jerry, being Jerry, quickly reacquired his musical abilities and, rather miraculously, took the stage a few short months later. This show is the final, and best, evening of the band’s first three-night return run. While the music is a bit rough around the edges, the energy and emotions – from both the band and the audience – are powerful. And nothing was more emotional than the Jerry tunes in the second set, starting with the Ship Of Fools and its somewhat eerie – given the circumstances – lyrics. Then there is a tremendous He’s Gone. But the topper of it all was the Black Peter, leaving nary a dry eye in the building, especially after the “one more day, I find myself alive” line; just tell us you do not get chills listening to Jerry sing out those words and the crowd respond with hearty cheers. But Jerry had one more in him that night, capping the evening with a beautiful Brokedown Palace. While we always appreciate a smoking hot show, it is a night like this that truly makes us thankful for all the Grateful Dead has given us.

Recording info
Use alternative player
Identifier:
gd1986-12-17.139728.sbd.ultra.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)
Notes:
Notes: — Drums with Babatunde Olatunji — Two sets of masters were used to make this show complete
Description:
Set 1

Alabama Getaway >
The Promised Land
West L.A. Fadeaway
Tons Of Steel >
Little Red Rooster
Tennessee Jed
Desolation Row
When Push Comes To Shove
The Music Never Stopped

Set 2

Saint Of Circumstance
Cumberland Blues
Samson & Delilah
Ship Of Fools
Man Smart (Woman Smarter)
He’s Gone
Drums*
Space
The Other One
Black Peter
Throwing Stones
Not Fade Away

E: Brokedown Palace

Jerry Garcia – Guitar
Bob Weir – Guitar
Brent Mydland – Keyboards
Phil Lesh – Bass
Bill Kreutzmann – Drums
Mickey Hart – Drums
Sikiru Adepoju – Talking Drum *
Jose Lorenzo – Berimbau, Hand Percussion *
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer:
Charlie Miller
Play
Pause
Back
Forw.
Volume
00:00
1
01 Tuning
01:03
2
02 Alabama Getaway
04:39
3
03 Promised Land
05:18
4
04 West LA Fadeaway
09:35
5
05 Tons Of Steel
05:00
6
06 Little Red Rooster
09:51
7
07 Tennessee Jed
09:16
8
08 Desolation Row
11:46
9
09 When Push Comes To Shove
04:26
10
10 The Music Never Stopped
06:22
11
11 Tuning
02:51
12
12 Saint Of Circumstance
06:35
13
13 Cumberland Blues
04:25
14
14 Samson And Delilah
06:56
15
15 Ship Of Fools
09:28
16
16 Man Smart (Woman Smarter)
06:53
17
17 He’s Gone
12:37
18
18 Drums
10:41
19
19 Space
09:31
20
20 The Other One
05:50
21
21 Black Peter
09:18
22
22 Throwing Stones
08:37
23
23 Not Fade Away
07:58
24
24 Encore Break
02:49
25
25 Not Fade Away
01:29
26
26 Brokedown Palace
06:26
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Comments

2 responses to “12-17-1986”

  1. Scott Shlomo Krane Avatar
    Scott Shlomo Krane

    This is hands down the best show I have heard from ’86, (post-Golden Gate Bridge BMW coke bust and subsequent diabetic coma, go figure). The first show I ever had was an audience tape from ’86 from New Haven or Hartford and it sounded like shit. But it was sweet: a gift from my babysitter’s husband when I was in 2nd grade! <raaandom!> It sounded like shit though, and the year has always turned me off.But this one is good recording quality and great setlist, a true ’80s gem. Opening with ‘Alabama Getaway’>’Promised Land’, one from Go To Heaven (Arista, ’80), a minor radio hit for the Dead and likewise one for ol’ Chuck Berry, respectively. Then, it’s on to ‘West L.A. Fadeaway’, reminding me of Bob Dylan’s collaboration with Robert Hunter, ‘Silvio’, this Robert Hunter-penned tune reminds us of the lyrical poetic style of Dylan circa-the ’80s, the same decade. On this song, Jerry’s guitar soloing between verse and chorus segments soars through the stratosphere! Next up is one of the best Brent songs, one which Brent wrote the lyrics to: ‘Tons of Steel’. I saw Phil and Friends (East Coast, pre-9/11) play this, and it was a heavensend (pun intended). A late-in-the-set ‘Little Red Rooster’ follows. Jerry’s guitar whines and weeps, (‘I almost just died, kids’), while Weir croons the old blues standard. ‘Tennessee Jed’ comes next, the first old original tune of the night off of the Owsley Stanley-soundboard-recording live double LP: Europe 72 (Warner Bros., ’72). An early cover of Bob Dylan’s ‘Desolation Row’, the final track from Highway 61, Revisited (Columbia, ’65), in fact probably the folkiest tune on the newfangled rock ‘n’ roll album. Bobby’s singing is impassioned and dramatic, Bobby does Bob, a flamboyant interpretation, perhaps. Next, is an early ‘When Push Comes To Shove’. Was this song Robert Hunter’s message to Jerry regarding his behavior toward Mountain Girl? Maybe, but it’s just a whimsical hunch by this millennial dancing bear. Before the song Bob Weir announces that they’re going to play this one “again” because they have to practice and work the new song out. ‘Music Never Stopped’ closes out the first-set in style. From Blues For Allah (GD, ’75), the tune is only the second old-school Dead original of the night.The second set opens with ‘Saint of Circumstance’, always good, but we miss ‘Lost Sailor’. Jerry’s guitar solo at the crescendo leading up to “Sure don’t know what I’m goin’ for/ But I’m gonna go for it for sho…” is all that and a bag of chips. Then the ship sails on into ‘Cumberland Blues’. This is a decidedly unpredictable setlist. Next is a raucous but short ‘Samson and Delilah’, followed by the always hauntingly lovely ‘Ship of Fools’.

  2. Josh Roof Avatar
    Josh Roof

    Great show! Love the energy. I think the Saint is one of the best. We get some Francaise in there, a la Bobby. C’est Classique.

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