10-13-1994

Madison Square Garden

New York, New York

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Recording info

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Identifier:

gd1994-10-13.sbd.miller.tetzeli.fix-33299.33822.reflac.flac16

Source:

SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC

Notes:

Notes: — All sources provided by Tim Wiley — This SBD source does NOT have NR applied to it — The AUD source was remastered with Samplitude — All patching done with Samplitude — Bill Tetzeli made the CD2/CD3 transition seamless. — SteveSw fixed the REPLAYGAIN

Description:

Set 1: Tuning Touch Of Grey Wang Dang Doodle Loser Mama Tried -> Mexicali Blues Dupree’s Diamond Blues When I Paint My Masterpiece Loose Lucy Let It Grow Set 2: Foolish Heart Playing In The Band -> Uncle John’s Band -> Jam -> Drums -> Space -> The Other One -> Wharf Rat -> Johnny B. Goode Encore: It’s All Over Now, Baby Blue

Lineage:

unknown

Transferrer:

Charlie Miller and Bill Tetzeli

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Volume

00:00

1

Tuning

00:23

2

Touch Of Grey

06:46

3

Wang Dang Doodle

06:28

4

Loser

08:27

5

Mama Tried >

02:35

6

Mexicali Blues

06:42

7

Dupree’s Diamond Blues

06:06

8

When I Paint My Masterpiece

05:25

9

Loose Lucy

09:36

10

Let It Grow

12:43

11

Foolish Heart

10:57

12

Playing In The Band >

10:54

13

Uncle John’s Band >

12:06

14

Jam >

05:59

15

Drums >

13:40

16

Space >

11:40

17

The Other One >

10:23

18

Wharf Rat >

11:39

19

Johnny B. Goode

06:48

20

It’s All Over Now, Baby Blue

07:18

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Today’s Dead of the Day:

10-13-1968 – Avalon Ballroom – San Francisco, California

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Comments

One response to “10-13-1994”

Scott Shlomo Krane

October 14, 2021

Incredibly dank sound quality from the soundboard>DAT>CDR. The instruments sound pure, with just enough audience noise between songs to remind you that it’s a live recording. Jerry wails on ‘Loser’. Bobby switches to acoustic for ‘Mama Tried’>’Mexicali Blues’. The latter features nice MIDI trumpet from Garcia’s guitar, before the final verse. Then he plays clean, then he plays with a split-signal: clean and ‘trumpet’.Next up is a much called-for ‘Dupree’s Diamond Blues’, always a treat in the setlist, never overplayed, short and sweet, featuring Jerry’s Mutron envelope-filter, much updated since its debut in the ’70s.Bobby takes the mic next for ‘When I Paint My Masterpiece’, I also saw them do this the year before at MSG. Vince has on a ‘strings’ patch on his MIDI synthesizer. ‘Loose Lucy’ is nice, but like ‘Masterpiece’, I had seen it live 9/18/93, also at Madison Square Garden, so the two-years-in-a-row kind of spoils it. Jerry’s guitar comes in crystal clear, and he plays a minimalist solo. He flubs the lyrics a little. ‘Let it Grow’ is the last song of the opening set. Vince plays some magical colors on his MIDI, while Jerry remains clean for the opening part of his solo. Bobby comps through a digital fuzz effect. At 8:05 comes the composed part of the jam, it is performed mellow and sweet, Jerry lays a few improvised notes over it, while everybody plays it in unison, then the section opens up, with forward moving rhythm, like a bullfight. The beautiful cadence comes at 9:10.The second set opens with ‘Foolish Heart’. The hand drums coming from the percussionists sound great. The jam gets a B+ grade from me. Next up is ‘Playin’ in the Band’. This time the jam is intense and beatific. Creepy noises are heard coming from some of the amps, behind Garcia’s soloing. Everyone starts playing freely, including the drums. The jam after ‘Uncle John’s Band’ is absolutely beautiful. ‘Drums’>’Space’ is prosaic, but ‘The Other One’ lights the Garden up, introducing itself with startlingly real-sounding dissonant sound-effects. The set closes with a fierce ‘Johnny B. Goode’.

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