Dead of the Day: 10-13-1968

Avalon Ballroom

San Francisco, California

For our Dead of the Day, we head back to some primal stuff in 1968 at the Avalon Ballroom. The Dark Star that opens is all milky smoothness with Phil throwing in some chunky bass lines, Bobby streaking around in the middle distance, the drummers ratcheting the lusciousness up, and Jerry soaring off repeatedly. At only thirteen minutes, it is a fairly short version, but there is nothing missing from the ethereal goodness of it all. The Stephen that storms out next is also short, but oh so sweet. And then a monstrous Eleven follows on its heels as the boys romp through the sing-song lyrics and psychedelic playing. Without Pig, who was out caring for his girlfriend who had had a stroke, the band drives the tune ever harder with less of the calliope sound that usually provides an added bit of lightheartedness to The Eleven. Then, Death Don’t Have No Mercy caps the set in haunting fashion. The second set opens with a short Cryptical and Drums beginning The Other One suite. The Other One itself scorches with Phil and Jerry seemingly attempting to outdo each other while the drummers keep the pace at breakneck speed. As they head back into Cryptical, the band slows it down again, gathering themselves for the thunder that will pour forth in the latter half of the tune. On the New Potato Caboose that comes out next, Bobby’s vocals are supreme, but the band only takes the song so deep, transitioning into Drums rather quickly. And the Drums> Caution Jam> Feedback that finishes off the night is quite good, delivering a cacophony of elemental psychedelia on a tremendous evening of music during an outstanding year.

Recording info
Use alternative player
Identifier:
gd1968-10-13.sbd.miller.owen.7772.sbeok.shnf
Source:
MR>DAT>CD
Notes:
d1t1 slight pop at 10:26, 10:41, d1t5 1:21 slight static, d1t8 2:57 splice.
Description:
Set 1 Dark Star -> Saint Stephen -> The Eleven -> Death Don’t Have No Mercy Set 2 Cryptical Envelopment -> Drums -> The Other One -> Cryptical Envelopment -> New Potato Caboose -> Drums -> Jam -> Feedback
Lineage:
CD>DC-Art Millennium>CD>SHN
Transferrer:
Charlie Miller and Michael Owen
Play
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Back
Forw.
Volume
00:00
1
Dark Star >
13:34
2
St Stephen >
04:53
3
The Eleven >
13:02
4
Death Don’t Have No Mercy
09:28
5
Cryptical Envelopment >
01:52
6
The Other One >
07:52
7
Cryptical Envelopment >
08:38
8
New Potato Caboose >
03:02
9
Drums >
04:39
10
Alligator >
02:13
11
Feedback
05:42
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Comments

3 responses to “10-13-1968”

  1. Mark O'Blazney Avatar
    Mark O’Blazney

    Dang

  2. Scott Shlomo Krane Avatar
    Scott Shlomo Krane

    While the prior night, 10/12, also at the Avalon Ballroom was a drop-dead fantastic show as well, this show, 10/13/68, is quite important on two levels. First, it shows what the band is capable of were something to happen to Pigpen, as Pigpen was absent for the entire performance; he was looking after an ill girlfriend, according to the Grateful Dead of the Day. Second, like the Shrine Auditorium, or Betty Nelson’s Organic Raspberry Farm, it is a snapshot of a place in time, the ‘60s in the Bay Area, (‘68 was perhaps the most tumultuous year of the latter half of the decade) and a band who was reinventing itself from their humble rock and blues origins, and along the way, inventing a new sound all their own. The setlists for these shows in ‘68, are similar to Winter ‘69, such as the residencies in early February at the Fillmore East, and in late February, at the Fillmore West, the latter run of which was used to make the album Live/Dead (Warner Bros., ‘69).Jerry opens the show by speaking into the microphone, ‘What am I supposed to say, everybody dance, or else?’ he continues, ‘Let go of your bodies, everybody!’ before launching into ‘Dark Star’>’St. Stephen’>’The Eleven’>’Death Don’t Have No Mercy’. Then a short break is interrupted by ‘Cryptical Envelopment’>’The Other One’>’Cryptical Envelopment’>’New Potato Caboose’>’Drums’>’Caution’ (jam)>5:40 of amplifier feedback.‘Dark Star’ moves with danceable rhythm and grace, the wooden percussion instruments are audible, especially during the intro to the song. The first verse comes in much sooner than we are used to in the history of the song and its progression. The second verse is recited at about the 12:00 mark. In ‘St. Stephen’ the lyrics: ‘one man gathers what another man spills…’ occurs right after the three-minute mark. The military drum rolls which accompany the group vocal harmonizing of ‘The Eleven’, (the first part, sometimes called ‘William Tell’), is inspired, and plants the seeds for a hard-rocking jam to explode, just past 1:00 in. The chord progression and value change on the beat between 2:33 and :34, with everyone changing value in the harmony except the bass and Jerry’s lead guitar riff, which both stay constant, unchanging against the move to a major key, and major pentatonic improvisation. The vocals over the major chords begin at roughly 6:15. ‘Death Don’t Have No Mercy’ is a blues song, a shadowy sketch of the brevity of one’s life and the existential phenomenon that is inevitable throughout the course of human existence. Doubtless, it evoked the era, knee-deep in the Vietnam quagmire, the children were weeping.‘Cryptical Envelopment’ is soulful and electric, continuing the theme of death into the night, the sorrowful ‘B’ section with the drop in tempo sounds tight. Jerry sings the phrase ‘and when the day had ended/ with rainbow colors blended/ his mind remained unbended…’ and with one or two bars of drum fills, the band launches into the explosive hard rocking power chords of ‘The Other One’. Bob Weir starts singing at about two minutes into the song. Bobby sings: ‘skipping through the lily fields, I came upon an empty space…’ at around the 6:00 mark. The musical introduction to ‘New Potato Caboose’ sounds fresh and sweet as can be. The tour-de-force performance draws to a close with an extended segment of amplifier feedback which stretches past the 5:00 mark.While it’s a bummer that Pigpen is absent, still you can’t go wrong with this show.https://scottshlomokrane.su

  3. Will Ryan Avatar
    Will Ryan

    Great show but it’s not 10/12 which is the best show of the year.

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