Dead of the Day: 10-06-1980
Warfield Theater
San Francisco, California
Like the fourteen other shows during this epic run at the Warfield, the night begins with an acoustic set, followed up by two electric ones. This acoustic set is not the best of the month, but that does not mean it is not superb. Really, you can take your pick of the tunes, as they are all wonderful, though the I’ve Been All Around the World and Ripple stand out the most for us. It should be noted, though, that Jerry’s vocals are a bit muddled throughout, particularly on Bird Song. Even though the first set is so good, the show really builds upon it, with the two electric sets soaring ever higher.
Dire Wolf
Cassidy
Jack-A-Roe
Monkey & The Engineer
I’ve Been All Around This World
Heaven Help The Fool
China Doll
On The Road Again
Bird Song >
Ripple
China Cat Sunflower >
I Know You Rider >
New Minglewood Blues
They Love Each Other
Beat It On Down The Line
Peggy-O
Lazy Lightning >
Supplication
Brown Eyed Women
Looks Like Rain >
Deal
Samson & Delilah
It Must Have Been The Roses >
Lost Sailor >
Saint Of Circumstance >
Terrapin Station >
Drums >
Space >
Truckin’ >
The Other One >
Black Peter >
Sugar Magnolia >
Johnny B. Goode
Encore:
U.S. Blues
Bob Weir – Guitar
Brent Mydland – Keyboards
Phil Lesh – Bass
Bill Kreutzmann – Drums
Mickey Hart – Drums
China Cat provides a refreshing and energetic opening to the second set with Jerry offering up some unique and inspired phrasings. Then the China Cat pushes into a blazing, full-on Rider, which is short, but oh so sweet. The rest of the second set continues in similar fashion with bright, inviting takes on so many great tunes. For instance, the Peggy-O is replete with Jerry’s lucid, mesmerizing guitar licks. Then the Supplication a moment later rips, and the Looks Like Rain that rolls out a tune after is inimitable with Bobby’s fresh vocal effort and the super smooth playing by both him and Jerry.
The third set gets off to a powerful start with Samson before heading into a fine It Must Have Been The Roses with a bit of a laugh thrown in when the band cannot get the lyrics together on the chorus. The Sailor> Saint that comes out next has to be one of the better version they ever did, followed up by an always welcome Terrapin. The Drums are really something to behold as Mickey and Billy play a lot of what sounds like conga and a bit of what sounds like the talking drum. Truckin’ emerges out of a seriously deep Space, blistering into a equally feisty Other One. After a scrumptious Black Peter, the band rocks it all the way out with a Sugar Mags closer and a Johnny B. Goode encore.
As we described a few days ago, this long run at the Warfield was followed up by two in New Orleans and eight more at Radio City Music Hall, all with the same format. These shows provided the tracks for Dead Set and Reckoning.
Podcast about this show:
- Heads’ Tales – S1 E2 Chris Stone of GratefulPhoto.com – The 1980 Warfield run, which included a show on this day, was a special moment in Dead history given the long stand and acoustic opening set. Listen to Chris Stone of Grateful Photo discuss hitting these shows up with good friends and his camera.

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