Dead of the Day: 10-06-1980

Warfield Theater

San Francisco, California

Like the fourteen other shows during this epic run at the Warfield, the night begins with an acoustic set, followed up by two electric ones. This acoustic set is not the best of the month, but that does not mean it is not superb. Really, you can take your pick of the tunes, as they are all wonderful, though the I’ve Been All Around the World and Ripple stand out the most for us. It should be noted, though, that Jerry’s vocals are a bit muddled throughout, particularly on Bird Song. Even though the first set is so good, the show really builds upon it, with the two electric sets soaring ever higher.

Recording info
Use alternative player
Identifier:
gd1980-10-06.144725.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson’s Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII)
Notes:
Notes: – Thanks to Mark Severson for the master cassettes – Thanks to Charlie Miller for the transfer and coordinating this effort – Thanks to Todd Ellner and Bill Koucky for the shnid89169 Nakamichi 700 1st generation source which supplies the first 0:11 of “Bird Song”, a 0:15 patch in the “Terrapin Station > Drums” transition, as well as a 0:16 patch in “The Other One > Black Peter” transition – Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2019
Description:
Set I
Acoustic Set

Dire Wolf
Cassidy
Jack-A-Roe
Monkey & The Engineer
I’ve Been All Around This World
Heaven Help The Fool
China Doll
On The Road Again
Bird Song >
Ripple
Set II
Electric Set 1

China Cat Sunflower >
I Know You Rider >
New Minglewood Blues
They Love Each Other
Beat It On Down The Line
Peggy-O
Lazy Lightning >
Supplication
Brown Eyed Women
Looks Like Rain >
Deal
Set III
Electric Set 2

Samson & Delilah
It Must Have Been The Roses >
Lost Sailor >
Saint Of Circumstance >
Terrapin Station >
Drums >
Space >
Truckin’ >
The Other One >
Black Peter >
Sugar Magnolia >
Johnny B. Goode

Encore:
U.S. Blues
Comment
Jerry Garcia – Guitar
Bob Weir – Guitar
Brent Mydland – Keyboards
Phil Lesh – Bass
Bill Kreutzmann – Drums
Mickey Hart – Drums
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Transferrer:
Scott Clugston and Charlie Miller
Play
Pause
Back
Forw.
Volume
00:00
1
gd80-10-06 s1t01 Crowd
01:06
2
gd80-10-06 s1t02 Dire Wolf
04:52
3
gd80-10-06 s1t03 Cassidy
05:34
4
gd80-10-06 s1t04 Jack-A-Roe
05:15
5
gd80-10-06 s1t05 Monkey & The Engineer
03:44
6
gd80-10-06 s1t06 I’ve Been All Around This World
04:11
7
gd80-10-06 s1t07 Heaven Help The Fool
06:55
8
gd80-10-06 s1t08 China Doll
06:01
9
gd80-10-06 s1t09 On The Road Again
03:08
10
gd80-10-06 s1t10 Bird Song
08:06
11
gd80-10-06 s1t11 Ripple
04:45
12
gd80-10-06 s2t01 China Cat Sunflower
05:09
13
gd80-10-06 s2t02 I Know You Rider
05:08
14
gd80-10-06 s2t03 New Minglewood Blues
07:57
15
gd80-10-06 s2t04 They Love Each Other
09:10
16
gd80-10-06 s2t05 Beat It On Down The Line
03:33
17
gd80-10-06 s2t06 Peggy O
06:52
18
gd80-10-06 s2t07 Lazy Lightning
03:15
19
gd80-10-06 s2t08 Supplication
05:31
20
gd80-10-06 s2t09 Brown Eyed Women
05:11
21
gd80-10-06 s2t10 Looks Like Rain
08:53
22
gd80-10-06 s2t11 Deal
06:29
23
gd80-10-06 s3t01 Crowd
02:32
24
gd80-10-06 s3t02 Samson & Delilah
08:17
25
gd80-10-06 s3t03 It Must Have Been The Roses
06:12
26
gd80-10-06 s3t04 Lost Sailor
06:10
27
gd80-10-06 s3t05 Saint Of Circumstance
06:52
28
gd80-10-06 s3t06 Terrapin Station
11:20
29
gd80-10-06 s3t07 Drums
11:47
30
gd80-10-06 s3t08 Space
09:47
31
gd80-10-06 s3t09 Truckin’
08:33
32
gd80-10-06 s3t10 The Other One
05:40
33
gd80-10-06 s3t11 Black Peter
09:23
34
gd80-10-06 s3t12 Sugar Magnolia
05:34
35
gd80-10-06 s3t13 Johnny B. Goode
04:27
36
gd80-10-06 s3t14 Encore Break
01:25
37
gd80-10-06 s3t15 US Blues
05:21
Choose recording

China Cat provides a refreshing and energetic opening to the second set with Jerry offering up some unique and inspired phrasings. Then the China Cat pushes into a blazing, full-on Rider, which is short, but oh so sweet. The rest of the second set continues in similar fashion with bright, inviting takes on so many great tunes. For instance, the Peggy-O is replete with Jerry’s lucid, mesmerizing guitar licks. Then the Supplication a moment later rips, and the Looks Like Rain that rolls out a tune after is inimitable with Bobby’s fresh vocal effort and the super smooth playing by both him and Jerry.

The third set gets off to a powerful start with Samson before heading into a fine It Must Have Been The Roses with a bit of a laugh thrown in when the band cannot get the lyrics together on the chorus. The Sailor> Saint that comes out next has to be one of the better version they ever did, followed up by an always welcome Terrapin. The Drums are really something to behold as Mickey and Billy play a lot of what sounds like conga and a bit of what sounds like the talking drum. Truckin’ emerges out of a seriously deep Space, blistering into a equally feisty Other One. After a scrumptious Black Peter, the band rocks it all the way out with a Sugar Mags closer and a Johnny B. Goode encore.

As we described a few days ago, this long run at the Warfield was followed up by two in New Orleans and eight more at Radio City Music Hall, all with the same format. These shows provided the tracks for Dead Set and Reckoning.

Podcast about this show:

  • Heads’ Tales – S1 E2 Chris Stone of GratefulPhoto.com – The 1980 Warfield run, which included a show on this day, was a special moment in Dead history given the long stand and acoustic opening set. Listen to Chris Stone of Grateful Photo discuss hitting these shows up with good friends and his camera.

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Comments

2 responses to “10-06-1980”

  1. Decola Trading Avatar
    Decola Trading

    Hot show, Playin with the blood! Who’s guest singing on JBG?Donna?

  2. Glen Goldstein Avatar
    Glen Goldstein

    I saw most of the Warfield run and it’s worth looking at in total. The small hall and the acoustic sets were wonderful. Bill Graham outdid himself to make everyone at home, including speakers in the lobby for the dancers.On the downside, the small hall made tickets difficult and expensive. The reason for the speakers in the lobby is that the authorities cracked down in a serious way about dancing inside the hall itself. As someone who loves to dance I was constantly going back and forth — the fully-lit lobby where there was room to dance, but the speakers couldn’t do justice to the full sound. Or duck back in the hall to catch the full sound, and then have to head back out do the lobby to dance. Sigh.But more to the point… most of the electric sets were dull. Sorry! You couldn’t help but feel that they were recording a record (Dead Set) — a lot of the same tunes over and over, and if there was an early error in a song might as well give up on that tune — try again tomorrow.I always wondered if they weren’t going for the good feeling of seeing your favorite band down at the local bar — you aren’t SUPPOSED to go every night — you pop in, hang out, have fun, go home.As the run progressed we kept waiting for THE show — the big breakout night of rare tunes and wild jamming, but it never really happened. Yeah, we are spoiled brats: “I need a miracle… EVERY DAY,” but there we are.Most hilarious and/or saddest moment: people who skipped the last night of the run so they would have time to hitchhike to New Orleans for those shows (the first since they played there since they were “….busted down on Bourbon Street” — it’s going to be huge!) No; I’m told the seas failed to part there as well.STILL my favorite band…

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