* with David Nelson (mandolin). ** with Bob Weir. source 1: SBD>MR>R>D>CD>EAC>SHN source 2: AUD>MC>R>C>CD>EAC>SHN source 3: AUD>MC>?>C>R>CD>EAC>SHN –the SBD (source 1) provides the acoustic set and Me & My Uncle to the end of the show. Source 2 is from a Jack Toner AUD recording, and provides the NRPS set. The rest of the Dead’s electric set is from source 3, which is also derived from the Toner AUD. alternate tracking: –the entire New Riders set can be placed onto one disc. The Dead’s acoustic set can be placed at the beginning of what would be “d2” of this shn set, allowing the Dead’s portion of the show to fit onto two discs total. notes: –Jerry aborts Black Peter midway, probably because of monitor problems –from Sugar Magnolia through Drums, there are problems that cause frequent dropouts/fluctuations in recording levels, possibly from strain on the tape from movement during the concert. –this is the latest known It’s A Man’s, Man’s World (as of Jun ’03) –this is the earliest known Till The Morning Comes (as of Jun ’03) –tape flip at 2:11 in Till The Morning Comes –warble at the beginning of Me & My Uncle –small AUD patch over glitch in Dancin’ at 5:06 –Tighten Up Jam in Dancin’ starting at 8:40 –Sound Forge was used for normalization and minor pitch adjustments

GD Acoustic Set: Truckin’, Black Peter* NRPS Set: Honky Tonk Women, Workin’ Man Blues, Superman, Rainbow, Dirty Business, Last Lonely Eagle, Fair Chance To Know, Glendale Train, Louisiana Lady, The Race Is On**, Mama Tried**, Sawmill**, The Weight GD Electric Set: Casey Jones, Sugar Magnolia, Candyman, Cryptical Envelopment > Drums > The Other One > Cryptical Envelopment > Brokedown Palace, It’s A Man’s Man’s World, Till The Morning Comes%, Me & My Uncle, Operator, Dancin’ In The Street, St. Stephen > Not Fade Away > Good Lovin’ Encore: We Bid You Goodnight

SBD>MR>R>DAT>CD>EAC>SHN + AUD>MC>R>Cass>CD>EAC>SHN + AUD>MC>?>Cass>R>CD>EAC>SHN

Andy Lemieux, Jack Warner, JCotsman