Dead of the Day: 09-14-1990

Madison Square Garden

New York. New York

The Dead are so tight on this night and play a lovely first set, with the Sugaree and Cassidy as the highlights. Jerry’s rough and gravelly voice is superb on the uptempo Sugaree with Vince and Bobby adding a rich background for Jerry’s eloquent picking, although the keys wonderfully assert themselves towards the end. But it is the second set that is the real treat here.

Recording info
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Identifier:
gd1990-09-14.mtx.hansokolow.97443.flac16
Source:
matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools
Notes:
This is a matrix, done by hansokolow in ProTools, of the following digital sources: SBD: shnid=74405 Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 8, 2006 Notes: — Seamless transition between Discs 2 and 3 — A few spots of diginoise in 2nd Set patched with Cassette Master SBD ———————————– AUD: shnid=88942 Ambient Recording by Sean Weber & Rick Katseff B&K 4011’s ORTF -> Grace pre -> Panasonic SV250 line-in Tapers From Hell – A Journey to the Impact Zone FOB near center (seat assignments not noted on tape card) From the tdarian masters, but, recorded by, Sean Weber & Rick Katseff tdarian was not yet in town for this opening night of the run, but had sent his mics ahead of time, (these mics were still a brand new release for B&K). tdarain joined forces with Sean and Rick for day two (09-15) The rest of the run, with the B&K’s is credited to tdarian, John Corso, and Rick Katseff “My primary crowd control weapon: Backstage passes to send the loud mouths away”….. “with “Barry” the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side ” transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master. CDR master transfer by Mike French (TFH), in apprx. 2002 compiled for FLAC by Mike French, on 2007-11-28 ———————————– hansokolow’s notes: For a digital soundboard with several solid digital audience copies to choose from, this matrix presented a lot of problems. While I like the sound of Dave Brotman’s FOB source over this one, I had trouble lining it up exactly with the DSBD (sometimes that happens), and the result was a constant, slowly changing atmospheric quality that was unacceptable. I switched to this DAUD and things lined up much better. This DAUD has level adjustments in the opener, Feel Like A Stranger, and I counter adjusted to try to account for that. This DSBD has some limitations. Although it comes with a decent amount of crowd noise, there is a bit of mutedness to it, which is greatly enhanced by adding the DAUD, imho. The analog SBD patches all over set 2 created brief phasing and weirdness and are fairly noticeable, but I left it that way, as it is less jarring as pulling out the SBD entirely. The first instance is at around 9 seconds into Fire On The Mountain, then again at 10:07, at 10:36, for 19 seconds (this is the worst of it), and at 11:16; in Terrapin at 9:24 for 6 seconds, at 9:58 for 4 seconds, briefly at 10:21 and 11:05, and finally at 11:23; in The Other One, at 6:16 for about 4 seconds; in Wharf Rat at 0:41, at 1:07, at 2:36, at 6:28, at 8:41, and at 10:27; and in Sugar Magnolia at 5:21. Also, hardly an issue, some crowd noise is missing from the DSBD between Fire and Playin’. Both these FOB sources had a gap of about the same size in Drums, from 1:32 to 3:47, so that section is all soundboard. The DAUD had some bad digital fuzz in the last few seconds of the encore, so I patched in Brotman’s DFOB for that section, from 5:00 to 5:04.
Description:
Set 1 Feel Like A Stranger Sugaree New Minglewood Blues Ramble On Rose Black Throated Wind Jack-A-Roe Cassidy -> Don’t Ease Me In Set 2 Scarlet Begonias -> Fire On The Mountain -> Truckin’ -> Terrapin Station -> Jam -> Drums -> Space -> The Other One -> Wharf Rat -> Sugar Magnolia Encore U.S. Blues
Lineage:
Transferrer:
hansokolow
Play
Pause
Back
Forw.
Volume
00:00
1
Tuning
01:00
2
Feel Like A Stranger
08:22
3
Sugaree
12:20
4
Minglewood Blues
10:06
5
Ramble On Rose
08:22
6
Black Throated Wind
06:43
7
Jack-A-Roe
05:43
8
Cassidy ->
06:20
9
Don’t Ease Me In
03:31
10
Tuning
01:57
11
Scarlet Begonias ->
09:48
12
Fire On The Mountain
15:05
13
Truckin’ ->
10:16
14
Terrapin Station ->
20:12
15
Drums ->
08:08
16
Space ->
10:37
17
The Other One ->
10:35
18
Wharf Rat ->
10:50
19
Sugar Magnolia
09:15
20
Tuning
02:59
21
U.S Blues
05:14
Choose recording

The boys head out of the break with a fun, robust, and so heady Scarlet Begonias. Vince tears it up in the latter half, parroting Jerry and then continuing to fiddle with the same little jam, rolling it around and around, diving into it from different angles. While this is going on, Jerry has found his own little groove and scooted off, leaving the riff that Vince had picked up far behind. The Fire On The Mountain that comes next is unreal, starting with a face-melting jam just a few minutes in that is almost too much. Then Jerry comes in for another verse and Phil starts laying in the bass, throwing oil on the stormy sea. But before too long, it is raging again, Jerry blistering, Vince spraying diamonds, Phil bombing away, and magical chaos reigning. Truckin’ sets off next, gathering momentum as it goes. Before long, the boys are once again in some glorious jamming with Bobby uncharacteristically taking the lead for a while as Jerry and Vince make sure things continue to roil. Towards the end of Truckin’, things settle down and it becomes clear that they are going into Terrapin, bringing joyous screams from the audience. The Terrapin, like the rest of the set, is one for the ages, as strong and powerful as they come. And, heading into Drums as it does, there is lots of room in the latter half of the song for adventure and transcendence, both of which the band achieves, splendidly exploring the theme before they give way to the drummers. Out of Space, Phil channels The Other One while the rest of the band slowly comes into the song’s orbit before finally latching on to the theme. And when they really go into The Other One, it is like a rocket going off with the thumbing bass, Jerry scorching ahead, and Bobby dealing. Eventually, they reach some mellower ground and cruise around until arriving at a tremendous Wharf Rat. Then, a tumultuous, rocking Sugar Mags sees off the set. The next night, Hornsby would join the band for the better part of two years, but on this special night at the Garden, Vince proved he could handle things all on his own if need be.

Podcast about this show:

  • Heads’ Tales – S1 E3 Chris Todt – Chris Todt discusses how the tape of today’s show at MSG in 1990 helped get him on the bus. Check out that story on the Heads’ Tales podcast.

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