Source: Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by Chris Ladner. Big thanks to the provider of the MSC’s who for various reasons wishes to remain anonymous. Levels at the beginning of the first set were generally low for the first minute. I adjusted this post transfer using Wavelab. The beginning of “Cumberland Blues” is clipped – I patched the missing 10 seconds from the FOB Schoeps source. Brief tape flips occured during non-musical segment between “Just Like Tom Thumb’s Blues” and “Hey Pocky Way” and during “Space” and were crossfaded into audio imperceptibility using Wavelab 5. This source does not have any skipping during “Black Muddy River”. As far as Healy Ultramixes go this one is SWEET – just the right mix of crowd and music. Crowd is chanting for Phil before JLTTB – listen for Phil saying “and my best friend my drummer won’t tell me what it is that I dropped.” KILLER performances of “Loser” & “Ramble On Rose”.

Hell In A Bucket, Loser, Me & My Uncle, Big River, Ramble On Rose, Just Like Tom Thumb’s Blues, Hey Pocky Way, Cassidy, Might As Well Cumberland Blues, Samson & Delilah, Ship of Fools, Women Are Smarter-> Drums-> Jam-> Truckin’-> I Need A Miracle-> Morning Dew-> Turn On Your Love Light, E: One More Saturday Night, E: Black Muddy River

Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes) > Nakamichi DR2 > gold connectors > Audiophile 2496 > WaveLab 5 (24/48) > Wave L3 Multimaximizer (dither/resample) CD Wave > FLAC16

Chris Ladner