Dead of the Day: 09-10-1991

Madison Square Garden

New York, New York

There are several good shows – just check out the ones from ’72 and ’74 – from this day in Dead history. But for our Dead of the Day we have to go out to Madison Square Garden in 1991 for Branford Marsalis’s third time sitting in with the band. From the very first sounds – Branford’s noodling – you know that you are in for a really special treat on this evening. And just a few seconds later, the entire band goes into a funky Shakedown with just a little jazz sound as Bruce’s keys and Branford’s sax add another dimension altogether. A song later, Bruce helps make It Takes A Train To Cry an all-time version with his awesome runs. But it should be clear that the entire band was totally amped up on this night, playing some amazing music. Cassidy is also a really nice piece with the addition of the piano and saxophone. After that, a no holds barred, rocking Deal takes it into the break in high fashion. Help> Slip> Franklin’s opens the second set, and what an opening it is. The Help On The Way and Slipknot! both have that ethereal goodness, given additional substance by Branford’s sax. But the Franklin’s Tower is a beast of another order, rich and luscious in its bright and rounded jams, making for a spacious, transcendent soundspace with some lovely vocal harmonies. The Estimated that follows right on Franklin’s heels is towering and sublime, eventually leading into a Dark Star, which is quite good. Then we get Drums and a Dark Star reprise, which includes so much inimitable jazzy space over its twelve or so minutes. A Miracle rises out of all that jamming so quickly and unexpectedly that it is downright thrilling, and the rest of the tune is hot too with Bobby killing the vocals and the boys playing so well with Branford’s sweet sound adding some elegance. Then we get another highlight in Standing On The Moon with Jerry, Branford, and Bruce making it truly magical. This show might be the least of Branford’s first three visits with the Dead, but, regardless, the night is incredible on its own merits.

Recording info
Use alternative player
Identifier:
gd1991-09-10.Nak300CP4.JB.Keo.117024.Flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE’s Checked/Fixed With Trader’s Little Helper; Metadata Tagging With AudioGate Software
Notes:
Comments:A huge thanks out to Heaton for the source tapes and JB for recording this smoking show.This is an excellent recording and the only flaw is a little tape warble at the start of the second set. As always ENJOY!
Description:
Set 1 Shakedown Street-> CC Rider-> It Takes A Lot To Laugh It Takes A Train To Cry, Black Throated Wind, High Time, Cassidy, Deal Set 2 Help On The Way-> Slipknot!-> Franklin’s Tower, Estimated Prophet-> Dark Star-> Drums-> Jam-> Dark Star-> Jam-> I Need A Miracle-> Standing On the Moon-> Turn On Your Love Light, E: It’s All Over Now Baby Blue *Branford Marsalis on saxophone throughout
Lineage:
Transferrer:
Keo;Heaton
Play
Pause
Back
Forw.
Volume
00:00
1
Crowd/Tuning
01:00
2
Shakedown Street
13:42
3
CC Rider>
05:45
4
It Takes A Lot To Laugh It Takes A Train To Cry
04:28
5
Black Throated Wind
08:02
6
High Time
08:34
7
Cassidy (Tape Flip After Song)
07:11
8
Deal
10:22
9
Set Break
00:06
10
Crowd/Tuning
01:47
11
Help On The Way>
04:08
12
Slipknot>
06:56
13
Franklin’s Tower
10:08
14
Estimated Prophet>
12:56
15
Dark Star>
12:14
16
Drums>
07:03
17
Sp..ace> (Tape Flip)
05:31
18
Dark Star>
12:15
19
I Need A Miracle>
04:03
20
Standing On The Moon>
08:58
21
Lovelight
06:38
22
Encore Break/Jerry Thanks Branford For Sitting In
01:33
23
It’s All Over Now Baby Blue
06:30
24
Crowd
00:18
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Comments

4 responses to “09-10-1991”

  1. Doug Farber Avatar
    Doug Farber

    Strip away Branford, and you have a very mediocre performance…. other than a brief flash here and there, Jerry isn’t at his finest. The lead in Help on the Way, for example…. non-existent for the first part, then same old, same old….. Oftentimes, collaborations such as this are more novelty than substance [not so when Carlos and Jerry ripped up Watchtower a few years earlier!!!]….. and other than a few times [the Eyes from Without a Net, for example], I found the Branford collaboration to be fun, but not spectacular. On the upside, Branford sounding great, and the Dead’s music gave him an opportunity to (i) explore another genre, and (ii) expose his talents to an audience that may not have been fully aware of them. Not hating on anyone hear…. a big fan of Branford and Wynton from the 80’s on…. Wynton’s Black Codes (From the Underground) has been in my “rotation” since it came out in 1985, along with Branford and his contributions to “Fathers and Sons” back in 1982… But at the end of the day, just not my favorite show from this date in history……

    1. AGB Avatar
      AGB

      Bro…Hey please…when I played with excellent musicians, it was nothing less than spectacular!!!
      Play as many shows as they do and travel,then you know mediocre…just saying to keep it real. Voodoo will win if ya let it begin ya!!! hugs

  2. Karl Rumbaugh Avatar
    Karl Rumbaugh

    We now know that this is when Garcia’s health really went into decline. A year later they were cancelling tours and a couple years after that Jerry passed.

  3. Steve Avatar
    Steve

    I’ll take a mediocre performance by the Dead any old day. Yes, it’s not 1970, 1980 or even 1990. But it’s the good ole Grateful Dead.

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