Dead of the Day: 08-31-1985

Manor Downs

Austin, Texas

There are a bunch of late seventies and early eighties shows from this date in Dead history. And, for our Dead of the Day, we go to the latest of those, an Austin, Texas engagement from 1985. You can practically hear the end of summer in the air on this front of the board recording. And the Mississippi Half-Step opener is the perfect way to capture that idle, expansive feel of a summer evening. A song later, as you would expect, Bobby did not miss the opportunity to bust out the cowboy songs in Texas, beginning with an El Paso. After, the boys play a fun Dupree’s before Bobby pulls out another cowboy tune with Mexicali, which feeds into Big River. Then the inventiveness turns up a notch further with a solid Althea and roaring Brother Esau. They continue the fine playing on a fast Jack-A-Roe before sending the first set out with an exceptional Let It Grow.

Recording info
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Identifier:
gd1985-08-31.fob.mccue-motb.82367.sbeok.flac16
Source:
(FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s FOB, 10-15 rows back, DFC
Notes:
patch sources: 1- FOB>(Jim Vita’s)Beyer Dynamic M160’s>Sony TCD5M >Sony TCD5M (Charlie Connor’s CM – TDK MA90’s) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg’s Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 2 – Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Notes: – – there was a tape problem at 0:58 in Dupree’s. I put in a sub-second patch – Space has a patch 2:49 – 2:59, which has been mix-pasted by aproximatey 2.5 seconds at either end – last 1:09 of NFA and crowd patched – source 1 patches for Dupree’s and Space. Source 2 patches for NFA and crowd. They have been eq’d so that they have a closer match to the sound of this source – crossfades added where tape had been paused between some tracks and on tape flips, except during Space (see above) – mastered using Wavelab v5 as host for iZotope Ozone v3.08, TC Works Native Dex v3.1 and BBE Sonic Maximiser v2 – downsampled to 16/44.1 with Wavelab 5 and dithered with iZotope Ozone (type:Mbit+, noise shaping:high, dither amount:normal) Comments: – the vocals are lower in the mix during much of the first 2 tracks – what I’d really like to know is “Who was Harry?”
Description:
Set 1 Mississippi Half-Step Uptown Toodeloo -> El Paso Dupree’s Diamond Blues Mexicali Blues -> Big River Althea My Brother Esau Jack-A-Roe Let It Grow Set 2 Terrapin Station -> Estimated Prophet -> Drums -> Space -> Goin’ Down The RoadFeeling Bad -> Stella Blue -> Throwing Stones -> Not Fade Away Encore She Belongs To Me One More Saturday Night
Lineage:
Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim
Transferrer:
Alex Ford and SirMick
Play
Pause
Back
Forw.
Volume
00:00
1
Mississippi Half Step >
08:26
2
El Paso >
05:05
3
Dupree’s Diamond Blues
07:05
4
Mexicali Blues ->
04:38
5
Big River
05:18
6
Althea
07:41
7
My Brother Esau
04:52
8
Jack A Roe
04:24
9
Let It Grow
12:37
10
Terrapin Station ->
11:32
11
Estimated Prophet ->
14:53
12
Drums ->
09:01
13
Space ->
07:34
14
Goin’ Down The Road Feelin’ Bad ->
06:28
15
Stella Blue ->
07:06
16
Throwing Stones ->
08:42
17
Not Fade Away
06:45
18
crowd
01:35
19
She Belongs To Me
08:06
20
One More Saturday Night
04:41
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The Dead came out of the break with Terrapin Station, eliciting a much-deserved roar from the crowd. The Terrapin is wonderful, but even better as it marks the beginning of a very good set. The next thing to roll out is a monster Estimated with a crisp, raging jam in the middle and then an absolutely epic latin sounding jam in the second half, leading into Drums. Out of Space, the Dead head into Going Down The Road Feeling Bad, which has some nice runs before settling into a short but haunting Stella Blue. Afterwards, Throwing Stones brings it to a set-closing Not Fade Away that the drummers and the crowd keep going into a reprise at the end. Whatever you do, though, don’t miss the first encore, as Jerry plays an utterly emotional and beautiful version of She Belongs To Me.

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