Dead of the Day: 08-06-1971
Hollywood Palladium
Hollywood, California
We have a truly magical show from top to bottom here. It opens with a brilliant Bertha as Jerry lights it up and Phil lays on some heavy bombs, providing a special intensity. The Playin’ that comes out next is bright and sharp and, though barely jammed out, is still phenomenal. And truly, each song of this night is special in its own right. The Mr. Charlie comes out thick and chunky, the Cumberland sounds like bluegrass on shrooms (which it very well might have been), and the Brokedown is resplendent and utterly beautiful. But the highlight of the first set is almost certainly the Hard To Handle, which is, arguably, the best ever (you may recognize it from Fallout from the Phil Zone). Pig burns through this version with his steamy vocal performance. But it is not just Pig; Jerry is out of his mind on the guitar, Bobby is masterfully offering up an alternative reading, and Phil sends down some clusterbombs. After the break, the Dead head immediately into St. Stephen. Through it, Jerry’s guitar is brilliantly crisp and dynamic, but heading, inexorably, down the path while Bobby adds an extra, ethereal element during the latter portion. And the Stephen leads directly into one of the most rocking, blues-oriented versions of Truckin’ the Dead ever did, just sick in its relentlessness despite its relatively short length.
Afterwards, the Dead – or, more accurately, Billy – storm off on a blistering drum solo, leading right into a scintillating Other One where the entire band, especially Billy, Bobby, and Phil, are completely dialed in and bursting forth. Jerry eventually gets working on the theme, jamming it into dazzling territory before Bobby allows the lyrics to cascade out. As the jam gets positively otherworldly, the boys suddenly drop into – led by Jerry and Bobby – Me And My Uncle before pausing and then noodling into a spacey jam that would end back in The Other One. There is a distinct Weather Report Suite tease shortly after the transition, a year before the band would first debut the tune. After the immaculate jamming, Deal rolls out and provides a more structured outlet for the band. Following the Deal, a rocking Sugar Mags unfolds, slowing down and then transitioning into a fundamentally face-melting Morning Dew. Had the Dead not played this song, everyone would have went home happy, and this show would have still gone down as an all-time great. But they not only bust out a heady as hell Dew, but then top it off by unleashing a twenty-five minute Lovelight that could go head to head with the best of all time.
The Dead released the last several songs from this show as bonus material on Dick’s Picks Volume 35.

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