08-04-1971

Terminal Island Correctional Facility

San Pedro, California

On July 21, 1970, a judge determined that Owsley was a flight risk because of his arrest when the Dead were “set up like a bowling pin” in New Orleans back in January. Consequently, the authorities revoked Bear’s bail from his 1967 lab bust in Orinda, California, and he was promptly sent to jail. In time, the Dead arranged to play a show at the federal prison he was at down in the port of San Pedro in Los Angeles. On the day of the concert in the prison library, the band made sure everyone – prisoners and guards – got dosed after the latter failed to look inside any of their gear. Security was so lax that Bear even helped the roadies set up the sound system.

Recording info
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Identifier:
gd1971-08-04.sbd.miller.95308.sbeok.flac16
Source:
SBD -> Master Reel -> CD
Notes:
Notes: — Disc change is seamless — Master Reel transferred to CD at the Mastering Plant in L.A.
Description:
Set 1 Truckin’ Yellow Dog Story Bertha Me And Bobby McGee Hard To Handle China Cat Sunflower -> I Know You Rider Loser Playing In The Band Next Time You See Me Me And My Uncle Casey Jones Cumberland Blues Big Boss Man Sugaree El Paso Mr. Charlie Not Fade Away -> Going Down The Road Feeling Bad -> Turn On Your Lovelight
Lineage:
CD -> Samplitude Professional v10.02 -> FLAC
Transferrer:
Charlie Miller
Play
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Forw.
Volume
00:00
1
Truckin’
09:01
2
Yellow Dog Story
02:02
3
Bertha
07:14
4
Me And Bobby McGee
07:44
5
Hard To Handle
07:27
6
China Cat Sunflower ->
04:29
7
I Know You Rider
05:57
8
Loser
08:39
9
Playing In The Band
04:48
10
Next Time You See Me
05:14
11
Me And My Uncle
03:39
12
Casey Jones
06:04
13
Cumberland Blues
05:07
14
Big Boss Man
05:18
15
Sugaree
08:00
16
El Paso
05:37
17
Mr. Charlie
06:00
18
Not Fade Away ->
05:57
19
Going Down The Road Feeling Bad ->
08:20
20
Turn On Your Lovelight
14:33
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As you can see, the Dead opened, appropriately, with Truckin’. And most of the rest of the set seems chosen (or is that just typical of Dead playlists?) particularly for the prison setting, from the “throw me in the jailhouse” of Bertha to just the second ever Sugaree and its plaintive plea to not be implicated. Given the circumstances, the show was limited to two hours, precluding any drawn out jams in the single set format. The Lovelight closer is a bit of a trip as Pigpen struggles to work up the single sex audience (and we struggle to hear him on the soundboard).

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