After break, a short, but solid Box of Rain opens up the action again. Then Jerry starts playing the first notes of Scarlet Begonias, and the race is on as the band blasts through a fast-paced, heady version before dropping into a monstrous, eighteen-minute Fire On The Mountain. The drummers go nuts on the Fire, refusing to relinquish the theme as the entire band torches the tune. A similarly hot Estimated rolls forth into an outstandingly beautiful Standing On The Moon. Drums and Space are up next, and in the latter, a rough, baritone sounding MIDI from Jerry’s guitar starts leading the way towards The Other One, but it is a long time coming. Finally Phil and the drummers more or less announce its imminent arrival with a series of earth-shaking movements. All told, The Other One is very interesting with some seriously funky sounds and interesting compositions with Jerry MIDI-ing it up, the drummers dishing up some fantastic runs, and Phil, Brent, and Bobby blasting away. The Wharf Rat that they finally lead into is spectacular as well, as Jerry’s vocals are particularly lovely. A Lovelight, complete with some peppy energy, closes out the set before a Knockin’ on Heaven’s Door encore.

While doing a standard inspection the day before the show, authorities found the venue to be in such a state of disrepair that they moved to cancel the show. However, there were already so many heads in the parking lot that they wisely decided that it would be less of a problem to let the show go on. Immediately afterwards, John F. Kennedy Stadium was shuttered, just one more venue the Dead saw out.

The Dead released the show as Crimson, White, and Indigo.