Dead of the Day: 07-02-1988

Oxford Plains Speedway

Oxford, Maine

Our Dead of the Day takes us up to the state of Maine, where the band played some incredible shows over the years. On this night, the boys get the crowd shaking their bones from the start with an Aiko opener. They keep the energy roaring with Jack Straw, which features a jam that jets off in the latter half of the tune, taking no prisoners. The West LA Fadeaway and Stuck Inside of Mobile – quintessential late 80s fare, both of them – that arrive next have all the splendor you expect. But the Row Jimmy that emerges after those two is so superlative it overshadows them, with Brent tickling the keys perfectly, the drummers putting in some solid rhythm and fills, and Jerry’s sparkling guitar rising above everything else. Brent comes to the fore next on Blow Away, with the tune – and Brent – gaining energy as it goes until it practically splits open with his brilliant keys toward the end. After a fine Victim or the Crime, Brent shines once again on a really solid Foolish Heart, just the fifth ever played.

Recording info
Use alternative player
Identifier:
gd1988-07-02.150701.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Notes:
Notes: — Recorded by Don Pearson and Dan Healy — Multiple masters were used to make this show complete — This file set is 16 bit @ 44.1
Description:
Set I
Iko Iko
Jack Straw
West L.A. Fadeaway
Stuck Inside Of Mobile With The Memphis Blues Again
Row Jimmy
Blow Away
Victim Or The Crime
Foolish Heart
Set II
Crazy Fingers
Playing In The Band
Uncle John’s Band
Terrapin Station
Drums
Space
The Wheel
Gimme Some Lovin’
All Along The Watchtower
Morning Dew
Sugar Magnolia
Sunshine Daydream

Quinn The Eskimo (The Mighty Quinn)


Comment
Jerry Garcia – Guitar
Bob Weir – Guitar
Brent Mydland – Keyboards
Phil Lesh – Bass
Bill Kreutzmann – Drums
Mickey Hart – Drums
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Transferrer:
All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net October 10, 2020
Play
Pause
Back
Forw.
Volume
00:00
1
Tuning
100.78
2
Iko Iko
367.93
3
Jack Straw
418.74
4
West LA Fadeaway
643.76
5
Stuck Inside Of Mobile With The Memphis Blues Again
610.22
6
Row Jimmy
758.49
7
Blow Away
447.84
8
Victim Or The Crime
334.99
9
Foolish Heart
567.77
10
Tuning
52.58
11
Crazy Fingers
573.83
12
Playing In The Band
588.59
13
Uncle John’s Band
496.25
14
Terrapin Station
722.36
15
Drums
406.91
16
Space
563.8
17
The Wheel
251.4
18
Gimme Some Lovin’
306.89
19
All Along The Watchtower
344.11
20
Morning Dew
671.63
21
Sugar Magnolia
538.25
22
Encore Break
80.72
23
The Mighty Quinn
308.3
Choose recording

After set break, the boys come out with an amazing pre-Drums run of Crazy Fingers> Playin’ in the Band> Uncle John’s> Terrapin. The Playin’ has Jerry and Phil trading licks as they head off into some serious outer realms of jamming satisfaction before coming back around to ease into Uncle John’s. The Terrapin that comes next is magisterial, rolling out on wings of velvety lusciousness and then hitting a grand and powerful jam over the last minutes that is truly breathtaking. Post-Space, the band comes into The Wheel busting a little bluegrass-ish noodling before settling into the starry opening to the song. The rest of the tune is lovely, followed up by very good, but all too short versions of Gimme Some Lovin’ and Watchtower. But then the boys break into Morning Dew with those first arcing notes and drum rolls. From there, the tune just gathers momentum, putting it up there with the best of the late 80s ones. Then, the crowd gets a rocking release with the Sugar Mags closer.

The night’s show was the first of two at the speedway in Oxford, Maine. There was camping at the venue, making for an incredible scene. What’s more, all the heads who had travelled up without tickets just to take in Shakedown were miracled when the doors opened as the band went into Drums, allowing them to enjoy the Morning Dew from inside the venue.

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Comments

7 responses to “07-02-1988”

  1. Kent Avatar
    Kent

    One of the drummers sounds like he’s banging on a typewriter…at least on my speaker system. 🙂 https://media0.giphy.com/me

  2. John Avatar
    John

    Jerry solo on Jack Straw sounds blisteringly good but sadly cuts out 🙁 Sounds fixed by West LA thankfully! Lol @ Phil’s “leave me alone” bit.

  3. Michelle L Nemitz Avatar
    Michelle L Nemitz

    I remember this like it was yesterday. ❤️

  4. KP Avatar
    KP

    “all the heads who had traveled up without tickets“

    7/2 was a Saturday. The next morning, I had breakfast with a bunch of people; some I knew and some I didn’t. The Maine Sunday Telegram that morning featured a huge, above the fold picture of bumper-to-bumper traffic on I-95 with a Headline about all the traffic because of the shows. Among the people I’d never met were some Jersey heads, who were howling about the fact the Sunday paper’s big story was about traffic caused by a Dead show. (Though July 2 was a Saturday, the 3rd was Sunday, and Monday the 4th was, the 4th of July. That’s a perfect scenario for a traffic jam on 95 in Maine, with or without the Dead.)

    My favorite memory of the Oxford shows is someone flying a slow-moving paraglider over the show on Sunday, during Bird Song. The crowd loved it.

    1. Tom Peer Avatar
      Tom Peer

      Absolutely remember that paraglider. I came up from Long Island with two separate cars of anus. One car had the Bagles that we were going to Cell and the other car had the cream cheese. We got separated upon Arrival and didn’t hook up until The second day. Some of us had tickets for both nights, but a few of us had to jump the fence the second night. An epic weekend, indeed 🤙🇺🇸

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