Dead of the Day: 07-01-1979

Seattle Center Coliseum

Seattle, Washington

★ ★ ★ ★ ★
★ ★ ★ ★ ★

Our Dead of the Day opens with a determined Mississippi Half-Step, which segues beautifully into a stellar Franklin’s with Jerry and Brent, just a few months into his tenure with the band, trading licks. A few tunes later, Jerry continues his enlightened, evenhanded guitar work with a really sweet Peggy-O. There are some other gems in that first set, including a scorching set-closing Passenger, which has both Bobby and Brent leaving their mark. The lively crowd, coming through clearly on Hunter Seamon’s matrix that we have here, adds another layer to the ripping version.

Recording info
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Identifier:
gd1979-07-01.mtx.seamons.95742.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Notes:
*Matrix* —————————————————- SBD: Recording Info: SBD -> Cassette Master -> Cassette -> PCM -> AIFF Transfer Info: AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 28, 2008 [CUTS:] Mississippi Half-Step Uptown Toodeloo (0:00 – 0:19) Stagger Lee (0:00 – 3:25) Sugaree (0:00 – 0:14) Terrapin Station (10:58 – end of track) Playing In The Band (0:00 – 0:34) Around And Around (0:26 – 2:05) Notes: — Set 2 is seamless — Thanks to Joe B. Jones for his help with the pitch correction —————————————————- AUD: Recorded by Mark Severson; 2 Sony ECM-270s on pole 35′ from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [Tape flips in Terrapin and Stella Blue] —————————————————– Thank you to Charlie Miller for the SBD transfer, to Mark Severson for recording the show, and to David Minches for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) November 11, 2008 Notes: 1) Cuts in the SBD between songs. A brief dropout near the end of Playing. 2) A couple small cuts in the AUD between songs. The left channel is low for part of the second Tuning track. Good AUD banter. 3) Some fluctuations in the SBD mix during Half-Step. Garcia’s guitar shifts around in the channels, is sort of low in the levels, and is more prominent in the right channel for the earlier portion of the show. Luckily, Garcia’s guitar is a bit louder in Severson’s recording, which centers the guitar sound more and makes the levels better. 4) About a twenty second portion of Drums>Space in the SBD was repeated, which was removed. It appears there may have been another source patched in at this moment, since the hiss increases and the speed changes a little after this point – perhaps another cassette generation.
Description:
Set 1 Mississippi Half-Step Uptown Toodeloo -> Franklin’s Tower Mama Tried -> Mexicali Blues Peggy-O New Minglewood Blues Stagger Lee El Paso Brown Eyed Women Passenger Set 2 Don’t Ease Me In Samson And Delilah Sugaree Terrapin Station -> Playing In The Band -> Drums -> Space -> Stella Blue -> Truckin’ -> Around And Around Encore Shakedown Street
Lineage:
Transferrer:
Hunter Seamons
Play
Pause
Back
Forw.
Volume
00:00
1
Tuning
03:46
2
Mississippi Half-Step Uptown Toodeloo ->
08:30
3
Franklin’s Tower
13:33
4
Mama Tried ->
02:33
5
Mexicali Blues
05:54
6
Peggy-O
09:53
7
New Minglewood Blues
08:25
8
Stagger Lee
08:11
9
El Paso
05:50
10
Brown Eyed Women
07:14
11
Passenger
05:50
12
Tuning
01:59
13
Don’t Ease Me In
05:08
14
Samson And Delilah
11:31
15
Sugaree
16:38
16
Terrapin Station ->
12:03
17
Playing In The Band ->
13:53
18
Drums ->
09:27
19
Space ->
03:43
20
Stella Blue ->
10:42
21
Truckin’ -> Jam ->
09:29
22
Around And Around
11:10
23
Shakedown Street
08:39
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The second set begins with Don’t Ease Me In. Relatively standard fare, though estimable in its own right, the song masks the fireworks that are to come. A powerful Samson bursts forth next, setting the trajectory for the rest of the show and leading up to a far out Sugaree, rolling and crescendoing over and over again in spirited, begging fashion. After a short pause, the band returns with a monster Terrapin with Jerry in control, but also including incredible contributions from Phil and Brent. Afterwards, the first notes of Playin’ in the Band offer an emotional release. Exhilarating insanity ensues as the band delivering an epic, unbridled performance and the crowd howls their approval. Drums and Space follow with some purposeful noodling building through Space, exploring the metaphysics of the universe before plucking Stella Blue right out of the ether. The Stella is revelatory and finely paced before morphing into a blistering Truckin’ that once again sends the crowd into hysterics. A bluesy, funk-laden jam at the end of the Truckin’ gives the assembled a slight breather before the boys surge forward again into Around and Around to close the set. Then the band encores a surprise Shakedown, sending the show and the tour – Brent’s first – out in high fashion.

People always post some great commentary on Archive, and the stories from people who were there are usually the best. Today, we just had to share Rob’s experiences as related in the comments there:

Having missed some earlier Canadian offerings (Vancouver 73, Festival Express 72), I was in dire need of my 1st Dead show, so, upon hearing of the concert while I sat in a jail cell doin’ 30 days for stealing a pack of sausages…on a dare…to feed the hungry wet, and cold, night time psilocybin mushroom pickers, all 25 of em’, I got thrown in the hooskow with a gram of hash stuck firmly into my cheek. I heard of the show in Seattle and I took this little red head, get this, that I met at the Greyhound bus stop, the day of my release (hard time I tell ya), and she jumped my bones in broad daylight behind the bus depot!! (well, we were in the trees), so, she and I hooked up for a few weeks and headed down to Seattle. I was in heaven, sparked up and what can ya say, seemed like 4 hours of solid fusion for what, 4.50? Wow.

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Comments

3 responses to “07-01-1979”

  1. P_P_K Avatar
    P_P_K

    Terrapin is truly a masterpiece. Nothing else like it in the popular music world.

  2. John Avatar
    John

    Half-step is such a good song…. joy. I’m glad the 80’s hadn’t hit Brent’s playing yet as his playing on this is much more down my alley.

  3. P_P_K Avatar
    P_P_K

    Half-step sets the tone of, yea, joy. “Across that lazy river…”

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