Dead of the Day: 06-09-1977

Winterland Arena

San Francisco, California

There are some great shows on this date, especially in the seventies, but there is no doubt about the Dead of the Day: June 9, 1977 at Winterland. Jerry’s plaintive guitar, the backing of Bobby and the drummers, and some consistent bombs from Phil does not just make the opening Mississippi Half-Step special, but it foretells an outrageous night. Jack Straw continues the virtuosity with the entire band coming together to deliver an exceptional version, causing the audience to howl with delight. A song later, we get a short Cassidy, which is full of pure loveliness, as is the Deal a bit further on that has some soaring jams in the interstices of the tune. Then a building, reflective Looks Like Rain pours forth that has two different, terribly mournful jams that the boys let work themselves out rather than just rushing through.

Recording info
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Identifier:
gd1977-06-09.mtx.seamons.98801.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Notes:
*Matrix* —————————————————- SBD (shnid=5597): Source: SBD>Reel>PCM>DATs>CD>WAV>SHN by Jeff Fishman Patching, retracking, and SHNv3 conversion by Patrick Murphy – patrick_e_murphy@yahoo.com Notes: d1t2 (1/2 Step) diginoise at 0:05 slight reel degradation throughout track d1t3 (Jack Straw) slight reel degradation (few seconds) d1t7 (Deal) diginoise at 4:51 d3t1 (Estimated) overmodulation and distortion 0:10-0:14 [Some “mic knocking” noise during early portion of Franklin’s] [Sunrise track replaced with shnid=28614 version by Charlie Miller] —————————————————- AUD (shnid=26450): Source: AUD>MR>Reel>DAT>CD(s)>EAC>SHN Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD DAT transfer info unknown. Notes: First few seconds of Looks Like Rain are missing. Encore of U.S. Blues & One More Saturday Night is missing. EAC(secure, offset corrected), sector boundary verified with Shntool, & SHN encoding by D. Winters. ————————————————— Thank you to Jeff Fishman and Patrick Murphy for the SBD transfer, to Dr. Rob Bertrando for recording the show and helping with pitch, and to D. Winters for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) May 4, 2009 Notes: 1) Some EQ work was performed on both sources using a 31 band equalizer.
Description:
Set 1 Mississippi Half-Step Uptown Toodeloo Jack Straw They Love Each Other Cassidy Sunrise Deal Looks Like Rain Loser The Music Never Stopped Set 2 Samson And Delilah Funiculi Funicula Help On The Way -> Slipknot! -> Franklin’s Tower Estimated Prophet -> Saint Stephen -> Not Fade Away -> Drums -> Saint Stephen -> Terrapin Station -> Sugar Magnolia Encore U.S. Blues One More Saturday Night
Lineage:
Transferrer:
Hunter Seamons
Play
Pause
Back
Forw.
Volume
00:00
1
Tuning
02:11
2
Mississippi Half-Step Uptown Toodeloo
12:02
3
Jack Straw
06:06
4
They Love Each Other
08:28
5
Cassidy
05:16
6
Sunrise
04:15
7
Deal
05:56
8
Looks Like Rain
09:19
9
Loser
08:02
10
The Music Never Stopped
07:37
11
Samson And Delilah
07:39
12
Funiculi Funicula
02:02
13
Help On The Way ->
05:15
14
Slipknot! ->
08:58
15
Franklin’s Tower
17:28
16
Estimated Prophet ->
10:13
17
St. Stephen ->
05:32
18
Not Fade Away ->
06:29
19
Drums ->
04:23
20
St. Stephen ->
00:50
21
Terrapin Station ->
11:11
22
Sugar Magnolia
08:49
23
U.S. Blues
05:55
24
One More Saturday Night
05:13
Choose recording

If the first set is wonderful, then the second is just otherworldly. It begins with a fiery Samson and Delilah. While some technical difficulties with the vocal monitors look like they might derail things a bit, the band gets the better of it with a fine Funiculi Funicula. Once everything is back up and running, they head off on an incredible Help> Slip> Franklin’s. The Help on the Way is outstanding, but the Slipknot! is just pure jamming essence with a bit of a dark twinge to it. Then the Franklin’s tops even that, blistering off, circling back around, and then, right when you thought they were done with the tune, going off again for another sensational frolic. The Estimated that comes after is not nearly as long, but has some stellar moments as Jerry noodles around with his guitar, playing those ethereal wah-wah chords to such amazing effect. And then, suddenly, a slight break in the music and a single note by Jerry signals the beginning of a face-melting Stephen> NFA> Drums> Stephen. At the end of the Drums, you can hear the faintest hint of Stephen coming back around before the rest of the boys come in perfectly to finish off the tune. And, though the second Stephen rips by in under a minute, the next gem arrives right on top of it, a scintillating Terrapin. By the time the band has played through that epic tale, Bobby makes for a joyous release in a rocking Sugar Mags. From the beginning of Help on the Way to the last notes of Sugar Magnolia an hour and ten minutes later, the Dead do not let up, pouring their very souls into the music and squeezing every last drop out of each song and mastering each one. It is one of the finest stretches of ’77 and, really, their entire thirty-year run.

The Dead released this show and the rest of the legendary three-night run at Winterland as Winterland June 1977.

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Comments

4 responses to “06-09-1977”

  1. Strangest of Places Avatar
    Strangest of Places

    Don’t really understand how you’re giving it a 3.5/5 and also saying it’s one of the best shows in their thirty-year run?

  2. kosiorek Avatar
    kosiorek

    Users vote on the stars (and you can too!). You can read more about using the star system here: https://gratefuldeadoftheday.com/blog/using-rating-system

  3. Da Lung Avatar
    Da Lung

    This show is absolutely one of the best shows in the entire thirty-year run of the Grateful Dead!

  4. TerrapinTrip Avatar
    TerrapinTrip

    I’ve always found that little bit Bobby does after Franklin’s about it being Phil’s birthday amusing. Considering his birthday is March, not June. Bobby always having fun with the audience!

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