05-06-1990

Cal State Dominguez Hills

Los Angeles, California

Half Step starts it off, and it takes the band, and Jerry especially, a bit to really get going. But by the time he is singing “across the lazy river,” the energy is there. And the Stranger that follows turns it up a notch further with some funky jamming and sweet vocals from Bobby and Brent. A smooth Easy to Love You and righteous Masterpiece highlight the middle portion of the set. But the best of the first half fireworks comes at the end with one of the finest versions of Victim or the Crime into a solid Foolish Heart.

Recording info
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Identifier:
gd1990-05-06.141276.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Notes:
Notes: — Two sets of masters were used to make this show complete — This file set is 16 bit
Description:
Set 1

Mississippi Half-Step >
Feel Like A Stranger
Easy To Love You
West L.A. Fadeaway
When I Paint My Masterpiece
Candyman
Victim Or The Crime >
Foolish Heart

Set 2

Iko Iko
Samson And Delilah
The Weight
Blow Away
Terrapin Station >
Drums >
The Other One >
Standing On The Moon >
Throwing Stones >
Turn On Your Love Light

Encore:
The Last Time
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer:
Charlie Miller
Play
Pause
Back
Forw.
Volume
00:00
1
01 Tuning
02:04
2
02 Mississippi Half-Step Uptown Toodleloo
08:58
3
03 Feel Like A Stranger
09:35
4
04 Easy To Love You
06:33
5
05 West LA Fadeaway
07:35
6
06 When I Paint My Masterpiece
07:12
7
07 Candyman
07:56
8
08 Victim Or The Crime
08:26
9
09 Foolish Heart
09:35
10
10 Tuning
01:05
11
11 Iko Iko
10:10
12
12 Samson And Delilah
07:30
13
13 The Weight
07:34
14
14 Blow Away
06:43
15
15 Terrapin Station
15:37
16
16 Drums
07:15
17
17 Space
09:09
18
18 The Other One
06:02
19
19 Standing On The Moon
09:03
20
20 Throwing Stones
09:29
21
21 Turn On Your Lovelight
05:46
22
22 Encore Break
01:41
23
23 The Last Time
05:46
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After intermission, the band rocks right out of the gate with Iko and continues to bring the hammer throughout the rest of the show. The Samson is as powerful as ever, and, with the boys trading vocals, The Weight is a joy. Phil’s verse in particular is so much fun, causing a roar from the massive crowd. Phil might not have the greatest pipes, but he sure knows how to use them. Afterwards, Blow Away hits its usual heights, though without the closing rap, which Jerry cut off to head right into Terrapin, it is not quite top-shelf. While we would have loved to hear Brent finish off, the Terrapin that comes instead is rich and luscious with some transcendent passages. And the trip from Terrapin into Drums is spacey and imaginative as the drummers pound out a tocsin beat while Jerry circles the outer galaxies. On the flip side, Space seems to give way to the Other One rather quickly – too quickly, actually, for Brent, who missed the beginning. The Other One itself builds and rushes on, like a herd of horses running wild before, with the first lyrics, Healy scares the shit out of us, modulating Bobby’s voice. Though Healy’s effects are often awkwardly disruptive, the shear freakishness and immediacy feeds right into this Other One. Jerry rolls out a magisterial Standing on the Moon next. And Brent’s lively keys in the latter-half Throwing Stones jam adds to an already spirited version, leading right into a perfect late-80s Lovelight, high energy and loaded with Bobby cheese.

This was the second show of a two-day run, bringing a little of the Ventura Fairgrounds vibe into the heart of Los Angeles. The fifth brought beautiful So Cal weather, but the Santa Anas arrived overnight, delivering hot, dry, and windy conditions. Terrence McKenna and Timothy Leary stood just offstage during the show, which might explain the reports of strong acid in the lot alongside 100 degree temps. Being LA, other luminaries were in attendance as well, including Bill Walton, which surely provoked Bobby’s comment about the Celtics in the first set.

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