The second set starts out with a killer Minglewood that, like the Let It Grow in the first half, pushes the song to its edge with Bobby and Jerry trading licks at one point. The Sailor> Saint is also electric, but the set takes another turn upwards and onwards with the He’s Gone. With some incredible guitar work, the song heralds the preposterously phenomenal Caution jam – the last Caution the band ever played – which then morphs into an equally ridiculous Spanish Jam. After Drums and Space, the first notes of The Other One echo forth, bringing cheers that the band answers with a seething rendition. With the GDTRFB, it seems the band is heading for the door, though in rocking fashion, but instead of a Not Fade Away, the boys slow it down for a resonant, melancholy Wharf Rat, which elicits a roar from the audience who is clearly loving the night. Then a Good Lovin’ closes out the set, and a Don’t Ease Me In encore completely ends it.

A crisp soundboard of this show was released as Dick’s Picks 13. And there are sections on the audience recordings that are a little rough where the Dick’s Picks is very welcome, especially in the first two songs or so. But after that point, the crew gets the board figured out, and our recording improves. Before long, the tapes are barely noticeable, allowing us to enjoy the music while also hearing the audience, which is stoked and boisterous throughout the show. Of course, the official release has a more clean and nuanced, if a bit more sterile, sound.