Dead of the Day: 04-21-1969

The Ark

Boston, Massachusetts

Our Dead of the Day takes us to Boston and the beginning of a three-night run at the Ark back in 1969. Hard to Handle opens the show with some funky slide guitar, adding an interesting note to a tune that is otherwise dominated, in all the best ways, by Pig. But the set really gets started with The Other One suite, which proves to be so much more than the sum of its already spectacular parts. Cryptical sets the stage, unfolding into a short Drums before The Other One bursts forth with all the energy and verve that tune can muster. Barreling forward with Jerry in face-melting form, the boys suddenly slow things up just enough for Bobby to deliver the first verse. They then race off again, continuing to burn and churn. The second Cryptical is monumental in its own right, as Jerry sets the band off on a mind-blowing jam to close it out. The rest of the set is solid with a fine jam leading into an excellent Doin’ That Rag.

Recording info
Use alternative player
Identifier:
gd1969-04-21.sbd.miller.tomp.124439.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Notes:
The original is one of the best GD SBDs Ive heard from this era, one of the last of the setlists mainly from (IMHO) their great 1968-9 era. It has all the dynamic range preserved, low noise and no processing. Of the 3 recent Ark shows, the lack of an extra cassette stage in the lineage really shows compared to the other two (22nd & 23rd). IMHO this one is way the best !! Huge thanks must go to the original recorder and of course, the great Charlie Miller for his enormous body of dedicated work and with whom I had an Email exchange, where he gave me a go-ahead. The work I did was fairly subtle, but the sound of Phil Lesh’s bass is restored to closer to it’s wonderful powerful best, whilst the general sound and dynamics are significantly better. Despite the improvement in the frequency extremes, there has been absolutely no EQ, compression or NR used here, just correcting recording and venue artifacts, so to my ears it sounds clearer and more dynamic than the Bertha version. I’m also particularly please with the improvement in the previously poor sounding Lovelight patch. TomP post on Dime, April 2013…Enjoy !! TomP Changes Made (Nero 8): ————————— Phase correction 0.05msec – louder bass – generally clearer sound Further substantial phase inversion and offset correction of Lovelight patch Cross-mixed all channels (95:5) – voice and instruments clearer and more to the foreground in the stereo field – moves the drums from extreme left and right (behind the ear) towards the middle – a little incidental noise cancellation Fixed glitches at 0.02 d1tr02, 0.04 ditr02 Corrected balance change 0.42-1.22 d1tr02 Corrected lots of small balance and volume fluctuations Reduced left channel of most tracks by 3-6% to centre stereo image Cut 1min+ of no-tuning during Tuning (d3tr01) Fixed phase inversion in patch at end of Lovelight Added flac tags
Description:
Set 1 Hard To Handle, Morning Dew, Cryptical Envelopement-> Drums-> The Other One-> Cryptical Envelopement-> Sitting On Top Of The World, Alligator-> Drums-> Jam*-> Alligator-> Doin’ That Rag Set 2 Foxy Lady Jam, Dark Star-> Saint Stephen-> The Eleven-> Turn On Your Love Light, E: Viola Lee Blues *Contains “We Bid You Goodnight” theme
Lineage:
CD -> Samplitude Professional v9.12 -> FLAC
Transferrer:
Tomp
Play
Pause
Back
Forw.
Volume
00:00
1
Introduction
01:29
2
Hard To Handle
05:26
3
Morning Dew
09:25
4
Cryptical Envelopment >
01:57
5
Drums >
00:39
6
The Other One >
09:10
7
Cryptical Envelopment >
07:54
8
Sittin’ On Top Of The World
03:27
9
Alligator >
04:07
10
Drums >
03:26
11
Jam >
07:46
12
Doin’ That Rag
07:03
13
Foxy Lady Jam
03:25
14
Dark Star >
22:41
15
St. Stephen >
06:51
16
The Eleven >
10:59
17
Turn On Your Lovelight
25:24
18
Tuning
01:08
19
Viola Lee Blues >
13:47
20
Feedback
05:39
Choose recording

The second half opens with Phil and Jerry playing around with a powerful, though short, Foxy Lady Jam. The Dark Star that emerges next is haunting and fearless, searching and then roaring off into worlds unknown. Eventually, though, it leads into an epic Stephen that does not look back, rushing headlong into a tasty, eleven-minute Eleven. Jerry blisters away while the drummers blast out a beat and everyone hints at the Lovelight that will follow. When that Lovelight finally arrives, the boys spill forth with a smoke and fire jam. Then Pig drives the message home with his gritty blues delivery, coming together with the rest of the band for twenty-five minutes of raging, delicious ferocity to end the set. But the band comes out for a tremendous Viola Lee> Feedback to send the crowd home awed and panting. This is raw, no holds barred Dead, a relentless, fearless fury that occasionally rumbles into a little trouble, which just makes it that much more brilliant and majestic.

On this night at the Ark, Peter Simon, one of the great music photographers of the era, took some luscious photos of the boys. Through the years, Peter has photographed most of the major rock acts of the sixties. He has also been taking pictures of his home island of Martha’s Vineyard for the last half century. A few years back, he published a DVD retrospective of his work, and he has a number of coffee table books to his credit, including I and Eye, Pictures of My Generation.

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Comments

One response to “04-21-1969”

  1. P_P_K Avatar
    P_P_K

    “The Ark”? What was the venue like?

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