04-12-1970

Fillmore West

San Francisco, California

On this day in 1970, none other than Miles Davis, having just released Bitches Brew, opened for the Dead at the Fillmore. It was actually the final night of a four night run. It was, because it could not have been anyone else, Bill Graham who put together the bill. Davis writes about the experience in his autobiography:

Recording info
Use alternative player
Identifier:
gd70-04-12.sbd.kaplan.3820.sbeok.shnf
Source:
Soundboard patched with Audience
Notes:
AUD portion is from Casey Jones through Deep Elem Blues. Taper is believed to be Harry Ely but this is unverified. Known flaws: – Candyman cuts in at the second verse, “with your hair a-hangin down.” – High Time is listed in Deadbase and at the end of I Know You Rider they start to go into High Time but the AUD tape cuts after one second. After the splice Good Lovin’ starts. It’s conceivable that they didn’t actually go on to play High Time. (From Deadlists) – And We Bid You Goodnight encore is missing.
Description:
Good Morning Little School Girl, Casey Jones, Mama Tried, China Cat Sunflower-> I Know You Rider-> High Time, Good Lovin’-> Drums-> Good Lovin’ Candyman, Deep Elem Blues, Cumberland Blues, Dire Wolf, Black Peter, Uncle John’s Band Dancin’ In The Streets, It’s A Man’s World, Viola Lee Blues
Lineage:
[SBD > Reel master > Sonic Solutions > DAT ] + [Aud > cassette master > PCM > DAT > Sonic Solutions] > CD > EAC > SHN
Transferrer:
Seth Kaplan
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Forw.
Volume
00:00
1
Good Morning Little Schoolgirl
17:47
2
Casey Jones
04:44
3
Mama Tried
02:45
4
China Cat Sunflower
04:23
5
I Know You Rider
04:17
6
Good Lovin’ > Drums > Good Lovin’
11:01
7
Candyman
04:25
8
Deep Elementary Blues
04:55
9
Cumberland Blues
04:40
10
Dire Wolf
04:12
11
Dancing in the Streets
11:33
12
Black Peter
08:32
13
Uncle John’s Band
07:26
14
It’s A Man’s, Man’s, Man’s World
07:26
15
Viola Lee Blues > Feedback
15:39
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That was an eye-opening concert for me, because there were about five thousand people there that night, mostly young, white hippies, and they hadn’t hardly heard of me if they had heard of me at all….The place was packed with these real spacey, high white people, and when we first started playing, people were walking around and talking. But after a while they all got quiet and really got into the music….After that concert, every time I would play out there in San Francisco, a lot of young white people showed up at the gigs.

Davis goes on to say that him and “Jerry Garcia, their guitar player, and I hit if off great.” For his part, Phil reports in his own autobiography that

As I listened, leaning over the amps with my jaw hanging agape, trying to comprehend the forces that Miles was unleashing onstage, I was thinking, What’s the use? How can we possibly play after this? We should just go home and try to digest this unbelievable shit.

But the Dead did not go home and, instead, unleashed a powerful three-set show of their own. Pig bawled throughout the show, and the boys put together one of the all-time great Dancin’ In The Streets. Be sure to check out Miles’s unbelievable shit too.

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Comments

One response to “04-12-1970”

  1. Neal Gold Avatar
    Neal Gold

    If you need a sense of what Phil’s talking about, Miles’s jaw-dropping set from 4-10-70 was officially released as Black Beauty: Miles Davis at Fillmore West. What unbelievable nights of music these must have been. G-d bless Bill Graham.

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