Dead of the Day: 02-11-1970

Fillmore East

New York, New York

With quite a few shows to choose from, it was still relatively easy to pick February 11, 1970 as the Dead of the Day. Topping a bill with Love and the Allman Brothers, the Dead played two shows that night, but it was more like a quick first set and a monster of a second half. The first show opens with a short, sensational, Other One>Cryptical. In the second show they again bust out of the gate with flames, going with a phenomenal Not Fade Away. The show continues strong and purposeful, eventually meandering to a Dark Star that is chopped up on the recording but begins the true magic of the evening as the guys from the Allmans, Fleetwood Mac, and Love start joining in. The Dead drive them forward into a scintillating Spanish Jam that cascades into a – superlatives won’t do it justice – Lovelight. By the time it is over, at least Peter Green, Mick Fleetwood, Danny Kirwan, Duane and Gregg Allman, Butch Trucks, and Berry Oakley are on stage trading licks with the Dead. Somehow, after that incredible jam session, the Dead manage to put the perfect cap on the evening with a soulful, acoustic Uncle John’s.

Recording info
Use alternative player
Identifier:
gd1970-02-11.sbd.smith.patched.99154.sbeok.flac16
Source:
SBD > Reel
Notes:
Transfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH) — SBD MR > DAT (source for disc 1 through the first part of Dark Star) — MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight) — SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2) notes: Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!! The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee. Huge thanks guys!!! * as Matt puts it, “the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips., and then into the MR>A77>A77@ 71/2 ips>CD. The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source. The reel version is so much richer than the circulating version.”
Description:
Disc 1 Early Show 01 // The Other One > 02 Cryptical Envelopment 03 Dire Wolf 04 Casey Jones Late Show 05 Intro by Keeva Krystal > Not Fade Away 06 Cumberland Blues 07 Cold Rain and Snow 08 High Time 09 Me and My Uncle Disc 2 Late Show Continued 01 Dark Star > 02 Spanish Jam > 03 Turn on Your Lovelight 04 Encore: Uncle John’s Band (Acoustic)
Lineage:
(see notes)
Transferrer:
Matt Smith
Play
Pause
Back
Forw.
Volume
00:00
1
The Other One >
05:16
2
Cryptical Envelopment
04:27
3
Dire Wolf
04:28
4
Casey Jones
05:22
5
Intro by Keeva Krystal > Not Fade Away
12:58
6
Cumberland Blues
04:57
7
Cold Rain and Snow
05:43
8
High Time
07:27
9
Me and My Uncle
03:36
10
Dark Star >
16:18
11
Spanish Jam >
09:40
12
Turn on Your Lovelight
33:37
13
Uncle John’s Band
06:21
Choose recording

It seems that the night was as special for the Dead as the music makes it sound. Phil dedicates a few pages of his autobiography, Searching for the Sound, to breaking down the evening and, especially, the epic end to the second show. It is a wonderful read as Phil describes the action practically lick by lick, adding that by the middle of the Lovelight his “mind starts to stretch out of shape” as “everyone on stage is flat-out wailing.”  But perhaps the best part of Lesh’s telling is what happens afterwards. Walking out the loading dock door, “it’s daylight, and snow is falling gently on the streets of New York….We stand there, our breath steaming, and look east down the crosstown side street. A distended orange sun is rising between the buildings, casting lurid shadows on the fresh snow. I grab Bob and Jerry in a group embrace: This is what it’s all about.”

Anything else I could say about this special night would just be superfluous. Instead, just sit back and give it a listen.

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Comments

8 responses to “02-11-1970”

  1. Sly Avatar
    Sly

    Dark Star, Spanish Jam, Love Light…A killer trilogy 🙂

  2. P_P_K Avatar
    P_P_K

    This Lovelight… I think this is what Joshua and his guys played to bring down the walls of Jericho.

  3. Scott Jindra Avatar
    Scott Jindra

    Thank you for allowing us to live in your world and experience the music they provided us to ring through the years, day by day. This is truly awesome and I thank God that you are able to help all of us through the process of music, really killer music from our friends, the grateful dead.

  4. John Avatar
    John

    Well said my friend!

  5. John Avatar
    John

    Such a gratifyingly different Dark Star. Spanish jam > Lovelight is like culmination of the entire SF sound. Awesum.

  6. Ron Wisler Avatar
    Ron Wisler

    Who is the person from Love? you do not say!love

  7. Flippin Uid Avatar
    Flippin Uid

    These three songs are hands-down, the best three in a row ever played anywhere. Phil is just fantastic and honestly there’s not a better 45 minutes of music anywhere.

  8. trippin n dreamin Avatar
    trippin n dreamin

    someday maybe not that far off… holograms of all the players in a venue like the sphere where people would pay to see this Dark Star>Spanish Jam>Lovelight be recreated?
    or another crazy idea…
    at the end of movie soylent green when edward g robinson is taken into a room where “they” control your last human moments and surround you with lovely images this would be the soundtrack to the “last” 45 minutes !! cant overstate where this music rates in the grand scheme of the human race…..

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